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October 2012

September 2012

Why I'm a convert to Track Changes

You may know that I'm a great fan of working on hard copy; it means you can get away from the computer; with biro on print the original and the amendments go on looking separate and you can see your changes of mind and second thoughts; and you're less likely to get lured into endless, muddly fiddling. Besides, brains are analogue and so is handwriting: and the former can control the latter much more intimately and directly than any process that has to go through a digitising interface, such as letters typed by your digits on a keyboard to appear... Read more →

Crazy First Draft

It's nearly NaNoWriMo time, but every now and again, when I'm talking about the shitty first draft and other NaNo-ish concepts, someone says "I don't understand why anyone would want to write shit." Of course the idea is not that you want to, but that it may help if you accept it may be - well - shit. For many writers running every word through the shittiness-censor before you allow it onto the page may not be the best way to get and keep the creative imagination working at novel-scale, or at all. But there's no denying that for some... Read more →

All the blog posts I mentioned at York 2012, and a big Thank You

I'm just back from the Festival of Writing at York, and if you don't know what I'm talking about, my post from the same point last year is here, and from 2010 is here. Apart from the usual frustration at having been too busy running my own workshops and doing 1-to-1 book doctoring to sit in on any workshops for myself, it was as much frantic, rewarding, alcohol-and-caffeine-fuelled fun as ever. The ducks were a bit quieter - maybe because it's September, not March - but other than that I'm going to need just as long to recover this time.... Read more →