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February 2014

How do you decide which project to go for?

So, you've written a good deal of longish stuff, and know something of what it takes to sustain a project. And you've got lots of ideas for stories, and several of them look promising for a book-length project. The interactions and conflicts they set up might be enough to fuel a novel, or the seam of travel or life that you're drawing on is rich enough for your creative non-fiction. But of those promising ones, which should you commit to? How can you make sure that, some months of research and writing down the line, you won't realise that this... Read more →


Past and Present tense: which, why, when and how

It's a simple, but huge, decision you have to make about your novel or creative non-fiction, right at the beginning: will your main narrative tense be past tense, or present tense? And what, if anything, will you use the other one for? It is always possible to change your mind later, but doing so is somewhere between a flaming nuisance and a nightmare, so it's well worth thinking hard about the pros and cons of both. Ages ago I blogged my first thoughts about past vs. present tense, and I haven't changed very much of my mind, but that was... Read more →


Join us on the Itch of Writing Workshop Retreat 6th-8th June 2014

SORRY! ONLY ONE PLACE LEFT ON THIS COURSE! Click here for more details If you'd like to be added to the mailing list to hear about any cancellations, or future courses, or both, then email me at the address on the right hand side. Writing can be - and maybe should be - stitched into your everyday life. But sometimes a short break, leaving all the quotidian rubbish behind, can free you to think, play, experiment and submerge in a project in a way which is very difficult when your mind is cluttered with the school run and the annual... Read more →


Giving a Reading Part Two - On the Night

This is the second part of a two-part series: click here for Giving a Reading Part One - Getting Ready. (newly expanded 6/2/14) . I've given readings everywhere from a minute basement bookshop space to the Hay Festival, and of course the setup varies wildly, but here are some suggestions of things to think about, for you to pick and chose. If you have a publicist a good deal of the prep will be done for you, and she'll know the answer to a good many of the questions. But it's worth thinking about what you need, and asking her... Read more →


Giving a Reading Part One - Getting Ready

Most writers are introverts, and for some the prospect of standing on a platform and reading their work aloud is terrifying. But at some point in your writing life you will find yourself having to read your work to an audience consisting of more than your sister and the dog. It might be an open mic in the local pub, a bookshop event, a platform at a literary festival, an X-Factor competition before agents at a writer's festival, or the launch of something like Stories for Homes (in aid of Shelter, and it's a cracker. Do buy it). Some authors... Read more →