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March 2014

The Battle of Towton: 29th March 1461

Saturday 29th March was the anniversary of the Battle of Towton: the bloodiest battle ever fought on English soil. As you may know, my novel A Secret Alchemy is woven from three strands, two of the fifteenth century and one of our own time, so here is a scrap of thread from each: Una – Saturday We roll on up the motorway, out of the plump, low Midlands towards a bigger and rougher landscape of hills and moors and deep-carved river valleys. There are signs to the junction at Ferrybridge and I think of young Anthony seeing his beaten fellows... Read more →

Working hypothesis: write as if you're a writer

One of the things I often have to explain when I'm teaching academic writing is that it's important to define any terms you're working with, because if you don't make it clear how you're using them, then the first time anyone says, "But what about...?", the chain of persuasion, which is your argument, is broken. The thoughtful students look nervous: they know that concepts such as Modernism, or Need, or even The Eighteenth Century (1713-1789? 1660-1815?), are things which people write whole books about, arguing with other whole books. So we talk about working definitions: of the possible sensible, reasonable... Read more →

Don't plot, just play Fortunately-Unfortunately

I've been plotting a novel recently, and one of the things I've done to help myself see if my story really was embodied in my plot (click here for the difference between plot and story), was to write a long, blueprint-like synopsis. And about three-quarters of the sentences in it were two-parters, hinging on a "but". Whatever action or situation was set up in the first half of the sentence was confounded, confused, contradicted or compromised by what was in the second half. What's more, if you look at the blurb on just about any novel or life-writing, it's doing... Read more →

Creative writing commentaries: don't know where to start?

The first commentary on any creative writing that I had to write - or read - was the 30,000 word commentary I wrote for my PhD in Creative Writing. I didn't find it easy. The next I tangled with were the 300 word commentaries that my Open University students have to write for their course. They don't - most of them - find it easy either. Of course, most writers take some kind of notice of what happened along the road of writing a piece, if only to try to abate the agony a bit next time; some even keep... Read more →

Front-loading, dangling, and dangerous modifiers

Running down the road, the briefcase slipped from Anna's hand and burst open on the pavement. After falling in the practice and suffering concussion, British Team officials say she may not compete. Having been firmly closed and locked, Alice's visit to the pub was fruitless. Elaborately frilled and tucked, John tossed the quilt onto the bed. Blue, orange and pink, the dog ate the latest designs. As a former Mayor of London, I thought it would be great to interview Ken Livingstone. Over 4000 years old, the Queen enjoyed her walk around the ruins. No matter what horrors they have... Read more →