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September 2014

August 2014

"A Cold Vehicle for the Marvellous": writing a story for J Sheridan Le Fanu

One of the things which has made my summer busy and fun has been writing a story for a new collection, Dreams of Shadow and Smoke: stories for J. S. Le Fanu, which is published this Thursday. Though he's now mostly known as the author of Uncle Silas, the influence of J Sheridan Le Fanu on the ghost and horror tradition in literature is vast, not least in his homeland: his vampires pre-date those of that other Irish writer, Bram Stoker, and his novel The House by the Churchyard was an important influence on Joyce's Finnegan's Wake. As V S... Read more →


Judging writing: why does presentation matter?

I've had a lovely, tricky time as one of the judges for the Historical Novel Society's Award for 2014, and the results are here. There were some great stories, and we had a right old barny between the three of us to decide the winners. And then the other day I bumped into Jacqueline Molloy, whose marvellous story "Wake" won first place at the Frome Festival competition in 2011. I don't know if I or she was more surprised at how much I remembered of it, but it's got me thinking. My friend Susannah Rickards' guest-blogs about being a filter... Read more →


Ten Top Tips for Writing Sex Scenes

I've pondered the odd business of writing sex before, but a good post by US writer Sebstien de Castell, about writing fight scenes, made me start thinking about it again. Sex and violence are hard (that's only the first double entendre) to write because both kinds of arousal involve an altered mental and emotional state which interacts with relatively complex choreography; what happens isn't built of words even if words are involved. Fiction has the same complexity, because it tells stories through characters-in-action as drama does, but in nothing but words. It evolved so richly because it can evoke and... Read more →