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October 2014

Making a living from writing books: what works, what doesn't

[17th July 2018: edited to update ALCS figures] So the Authors' Licensing and Collecting Society has done a survey, and found that the median average income for professional writers (i.e. those who spend the majority of their working time writing) has fallen by 42% since 2005, and 15% since 2013. The number of writers who get all their income from writing is down from 40% to 13.7%, and the median annual income of a professional writer now stands at £10,500, which equates to £5.73 per hour (the national minimum wage is currently £7.83). And I know anecdotally that advances are... Read more →


Listen Again to my story "Calling" on Radio 4 Extra

I'm delighted that the story I wrote for Radio 4 has been repeated on Radio 4 Extra. Click here to Listen Again for the next four weeks.* Twelve-year-old Tom and his sister first came to Brighton after they lost their father in the great storm of 1883. They left their mother at her new job in the big house and walked to their lodgings in the Lanes. But in the middle of the night Tom hears their mother calling for them. And in trying to find her, he finds his own future. But, of course, that's only how the story... Read more →


Where do you start your story?

One of the very first bits of clear writerly advice I ever came across was the short-story writer's dictum of "Start as near the end as possible". Later, I encountered the thriller-writer's "Get in late and get out early", which is a double-ended version of the same idea. Certainly it's rare for me to see a beginner's novel that starts "too late" in the story, whereas perhaps the majority either simply should start at what's currently chapter three, or the writer's realised that, and tacked a zingy prologue onto the beginning, in the (entirely folorn) hope that it will compensate... Read more →


Being drunk, being sober: which should you be when you're writing?

At an event recently, the poet Rowan Williams was reading some of his favourite poems by other poets, and he was asked what he looks for - hopes for - when he comes to a poem for the first time. For someone who's so clever and so erudite (not the same thing) his answer was wonderfully simple: "I hope to go into a poem sober, and come out a little bit drunk." And I know exactly what he means. I'm not a poet, and I don't read poetry in an organised, professional way. But there are always one or two... Read more →


Historical Fiction Autumn: Hodgson, Harrogate and How Not to Start your Historical Novel

It seems to be Historical Fiction Autumn. The Historical Novel Society's Awards have had a good deal to do with that; I was one of the judges for their 2014 Short Story Award, and our comments on Anne Aylor's wonderful winning story, "The House of Wild Beasts", and on the two runners-up, are now up on the site. The HNS's website is also stuffed with great blogs and articles about everything to do with historical fiction. Antonia Hodgson, whose debut novel The Devil in the Marshalsea is very high indeed on my TBR pile since I heard her speak and... Read more →