Back when I posted about how showing and telling should co-operate, not compete, a commenter said this: I struggle with showing my main character's emotion, over-complicating things in my attempt to avoid signals and abstract nouns. I'd love to pull off a reserved first person narrator, one you feel for, while she's trying to hide her pain even from herself, but so far not succeeded. I know what she means. In theory we all know that Less is More (except when it isn't) but how can you be sure the reader doesn't just understand, but really feels what's going on... Read more →
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