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November 2015

The only "rules" of writing are your rules. But you need to decide what they are.

There are lots of ways in which learning to write is like learning to drive, but the relationship of the craft to the rules and laws is not one of them. Whether it's that you should Show and Tell, or that "cut everything which includes was" is not only wrong but dangerous, I don't believe you should "know the rules before you can break them", because there are no rules (except copyright and libel, obviously), only tools, in writing. I've been talking a lot recently about writing historical fiction, and inevitably we discuss how you decide what you must research... Read more →


You will never annoy anyone if you present a manuscript like this

Well, I can't absolutely promise that, but pretty darned close. Of course this is subject to whatever the magazine, publisher, agency or editor says on their website that they want. And we are talking prose, here, not scripts or poetry, which run by different rules. But don't think that, just because we're in the digital age, what's used on computers has superseded what's used on manuscripts. The book is near-perfectly evolved technology for reading large amounts of prose, and the book and magazine trade still handles prose in those paper-based forms, even on screen. Digital design has evolved to suit... Read more →


Zombie nouns and aggressive passives: kill that "office-speak"

One of the most common things I find myself writing in the margins of students' creative writing is "this is very Office-Speak-y". I am, of course, maligning the many millions (OK, half a dozen) companies whose internal communications are full - as Bertie Wooster would say - of pep and zest. But, even if your office is a cowshed or a diving-bell, internal office speak has a way of leaking out onto the pages of everyday life. And that tends to mean it leaks into your storytelling. (If you also want to tackle similar things in your academic or business... Read more →