Even when you've got your head round how point-of-view and narrators work, you're left with the question of which of the available characters should be the viewpoint character for this page, this scene, this chapter or this novel. This post explores the possibilities.
When I meet someone who says they'd love to be a writer but they've never studied Creative Writing, or they can't spell, or they always got bad marks in English at school, I say, with truth, that you don't need any of those things. So, first, let's be clear:
The problem with synopses is simple: if you could have written your story in 300-500 words, you would have, but you couldn't, so boiling your 70-130,000 words down feels as impossible (with apologies for mixing my metaphors) as catching a waterfall in a cup. But it can be done – and it can, actually, become a really useful tool in your tool-kit.
From festival appearances to funeral poems, writers get asked to work unpaid all the time. Taking ourselves more seriously as paid professionals means learning to ask for money without apology or embarrassment from events organisers, broadcasters, schools, magazines, alumni organisations and anyone else.
The second bite of the new Itchy Bite-sized series is nibbling at a much-despised, often confused and actually very useful and very simple punctuation mark: the semi-colon.
Welcome to the first in what I hope is a new series for the Itch. Itchy Bitesized are short posts about all sorts of writing issues, from perspiration inspiration to craft and technique - and I thought a good topic for the first post would be first drafts!
Part memoir, part biography, and part book about creative writing and what really makes a novel, This Is Not A Book About Charles Darwin is the story of how my creative disaster came from ten generations of creative thinkers in the Darwin-Wedgwood family tree.