This hilarious post over at The Fence has got me thinking about what’s going on when we copy or riff on another writer’s work, because as part of a much longer creative engagement between the two artists, Cézanne copied his friend and mentor Pissarro's painting Louveciennes. Some time in the 20th century, straight copying went out of fashion as a way for artists to train their craft skills, but it’s worth asking why the founder of modern European art, Cézanne, still did it. If he wanted to paint the place he could perfectly well have popped back to Louveciennes and... Read more →
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