This Itch of Writing

Three Things About "It's Tough Out There"

It's tough out there, we all tell each other, trying to get books published, trying to get them bought, trying to keep them published. And since the background of publishers and published writers doesn't align with national demographics, that disparity can constitute a huge barrier to entry for those whose faces don't fit. But if you are developing your own creative processes for good and successful writing, then letting yourself dwell on tough facts may be actively unhelpful. Read more →

Itchy Bitesized 19: How Not To Commit Writerly Adultery

One of the most common difficulties that writers bring to our mentoring meetings is that they find it hard to see a project through to completion, so here are some quick diagnostic pointers which should help you to keep going - or give you confidence that you really shouldn't. Read more →

Itchy Bitesized 16: Three Things About Saggy Middles

If you've been told your novel or creative non-fiction has a saggy middle - or you've a nasty suspicion of your own - you are absolutely not alone. It's a perennial problem, because writing a novel may simply be a matter of "beginning, muddle and end", as you discover every time you download an unabridged audiobook of a full-sized novel, novels are very long, and so the middle muddle is also very long. Read more →

Itchy Bitesized 13: Artist's Dates Don't Have to be About Art

It was Julia Cameron who started the idea of the "Artist Date",* in her book The Artist's Way. The idea is that any creative work draws on a well - or a larder is a more useful image, I think - and if you don't want to run out of creative food and therefore fuel, you have to fill the larder and keep refilling it. But how do you fill it? Read more →

Twelve Ideas To Help With Writer's Block

Even if you're of the "It's sheer self-indulgence" school of opinion, there's no denying that writer's block is a hot topic - except when it's a source of silent, dark and excruciating shame. The thing is, for every new writer declaring, "I'm blocked!" when what they mean is they're a bit stuck on what happens in the next scene - or (un)consciously spinning their lack of determination into a Terrible Problem for a Serious Writer - there's a professional author, with a mortgage hanging on their delivering, who can't bear to tell their friends they've had to hand an advance... Read more →

What Your Inner Critic Doesn't Want You To Know

I know so many aspiring writers who would say that their problem is not getting going: good ideas come along often, and for a while they find it easy and exciting to devote lots of their available time to the project. But "for a while" is the problem: their past is littered with brave beginnings that petered out, half-filled notebooks, unfinished drafts, and finished first drafts that they never revised "for their reader". So I thought I'd pause the Write Your First Novel course, for a moment - I promise I'll get back to it - and have a quick... Read more →

WRITE YOUR FIRST NOVEL Part Six: Revising 1

In Part Six we're starting to think about revising your writing. Each post in Write Your First Novel is a series of short(ish) prompts and exercises which are designed to lead, step by small step, towards the first draft of a novel. It doesn't assume you already know the technical vocabulary that writers use, and the full series to date is collected together here. One more thing before we start. Everything on This Itch of Writing is free; I don't monetise it through advertising or clicks or affiliations or anything else, but simply put it out under a Creative Commons... Read more →

WRITE YOUR FIRST NOVEL Part Five: Reading Like a Writer

In Part Five we're exploring how to read like a writer. Each post in Write Your First Novel is a series of short(ish) prompts and exercises which are designed to lead, step by small step, towards the first draft of a novel. It doesn't assume you already know the technical vocabulary that writers use, and the full series to date is collected together here. One more thing before we start. Everything on the Itch is free; I don't monetise it through advertising or clicks or affiliations or anything else, but simply put it out under a Creative Commons Licence (and... Read more →

All the posts I mentioned at York Festival of Writing

I'm home from the York Festival of Writing and the dust is settling. As ever, it was a wonderful weekend put together by Jericho Writers, full of writers of fiction and non-fiction at every stage, from beginners to multi-best-sellers and - always one of the highlights - a reunion of several dozen of Debi Alper's and my lovely graduates from the online Self-Editing Your Novel course, including one of the keynote speakers, million-selling Cathy Bramley, and one of the exciting debuts of last year, Amanda Berriman. Old friend Ruth Ware was another keynote speaker and I devoured her The Death... Read more →

Happy New Writing Year!

I don't believe in giving things up for the New Year. True, the days are getting longer, and just this morning on the Essex-Suffolk border the sun is sparkling, but here in the northern hemisphere there's an awful lot of dark-and-cold about. So it's asking to fail, it seems to me, to choose to think in terms of denial and deprivation in matters where you don't have to. Instead, here are some Trees of Life, from the Museo de Arte Popular, in Mexico City. In a similar spirit, this post, from the same season a few years back, is about... Read more →

10 Reasons for a Prose Writer to do a Poetry Course

Every now and again someone asks me not, "How can I write this story better?" - to which I have a whole Tool-kit-full answers, obviously - but "How can I become a better writer?" Assuming that my interlocutor is already meeting the absolute pre-condition of being a better writer, which is reading more, and more widely, my next suggestion is probably to take a poetry course. That's not because I think everyone should write lyrically - although that is a very honourable goal - but because I think it can help any writer to develop. As Ray Bradbury puts it... Read more →

Is Your Writing Out on Submission? Welcome to Hell

So you (or your agent) has sent your work out to ... someone. A magazine, a competition, a publisher, a broadcaster, a film company, an agent you hope for, an author whose quote you desperately want for the cover, even a mentor or editor you've hired yourself. You are now officially in the condition known as Waiting To Hear. Welcome to a minor and largely unacknowledged room in Writer's Hell. Or rather, two rooms. You may have a short, relatively easy time in Limbo, when you genuinely know you won't hear: the stretch before the competition deadline or the closure... Read more →

Freewriting: What is it? Why should you use it?

The run-up to NaNoWriMo (more about that here) seems a good moment to think about Freewriting. You might have met its first cousin as Morning Pages, in Julia Cameron's The Artist's Way, and in the great, original how-to-write book, Becoming a Writer, Dorothea Brande suggests something similar. It has many uses, but first let's think about what it actually is. In Writing Without Teachers, Peter Elbow describes it beautifully: The idea is simply to write for ten minutes (later on, perhaps fifteen or twenty). Don't stop for anything. Go quickly without rushing. Never stop to look back, to cross something... Read more →

Please don't hate me for loving synopses

The other day, without so much as a gun to my head, I willingly wrote a synopsis. Since synopses are, famously, at best a chore, at worst a nightmare, it was with mock-contrition that I murmured on Facebook that - sorry, hate me now, but ... I actually really enjoy writing them. The first ten comments were un-re-printable, but then my fellow synopsis-lovers cautiously put their heads above the parapet to agree with me. In the end there were ten or so of them, too, and we agreed, trying not to sound smug, that they can also be extremely useful... Read more →

Get Started in Writing Historical Fiction is published on 10th March

I'm ridiculously thrilled to have my author's copies of Get Started in Writing Historical Fiction sitting on my desk. It really does embody all the things I find myself saying when I'm teaching workshops and blogging, not just about historical fiction but writing fiction and creative non-fiction in general. Whether you're new to writing of any kind and have just fallen in love with a person or a period and can't rest till you've had a shot at bringing it to life on paper, or you're an experienced writer who's always loved reading historical fiction but have never dared to... Read more →

David Mamet's ideas on acting make sense for writers too

I've blogged before about how useful it can be for prose and fiction writers to think in terms of theatre and drama, and again at The History Girls about why my own Drama degree has been so useful to me. So when I came across this post, on actor James Devereaux's Great Acting Blog, I couldn't help hearing it as a way of thinking about writing. James has collected some of playwright and director's David Mamet's most thought-provoking and important ideas, and I hope he won't mind if I borrow them. Learn to ask: what does the character in the... Read more →

Ten New Year ideas for everyone who writes, or wants to write

First of all, Happy New Year and grateful thanks to everyone - writers and readers - who reads the blog, and a special lift of the Champagne glass (all right, Prosecco glass - we're on a writer's budget, here) to anyone who comments, spreads the word or links to the blog from elsewhere. Without you all, there wouldn't be a blog, because why would I talk, if I didn't have someone to talk to? I don't really do New Year's Resolutions, because they bring out my Inner Stroppy Toddler. But this is, let's (two-)face it, the Janus time of the... Read more →

Getting Ready for NaNoWriMo? A few tips.

So, it's National Novel Writing Month again, or it will be on Sunday: to its friends, November is NaNoWriMo. The idea is that you have a month - and nearly the shortest month of the year - in which to write a complete novel. True, their target is 50,000 words, which is too short for most industry definitions of a novel for adults: the real point is that it you're planning to create a complete story - a beginning, a middle and an end. Not a notebook full of bits of scenes, not an endless tweak of the first 15,000... Read more →

All the posts I mentioned at the York Festival of Writing 2015

As ever, in among a mini-course, two workshops, a dozen one-to-one meetings and several dozen informal conversations, sober and otherwise, that made up my weekend at York, I mentioned a fair few blog posts that might be useful to someone. If you want to get a flavour of this year's festival, veterans Debi Alper and Andrew Wille have posted about it, aspiring writer Jo Hogan has written very sapiently about what she learnt from her second festival, and this is a round-up of my impressions from past years. But, really, York is all about writing better. So here are a... Read more →

"Everything About My Writing Is Awful And No, I'm Not OK."

I'm talking about those times when writing seems impossible but so does everything else: when your heart - your life itself - is stapled to the page and no one wants it. And that heart, the life itself, is a miserable, clichéd, shrivelled thing, and you a deluded, talentless fool for ever dreaming that you might have something worth saying which people would want to hear. Just as the Guardian's Work-Agony Uncle Jeremy Bullmore inspired me to track down Jerusha Cowless and recruit her to This Itch of Writing, this brilliant post about that feeling in your life as a... Read more →