THE TRAVELLING LIBRARY

WRITE YOUR FIRST NOVEL Part Five: Reading Like a Writer

In Part Five we're exploring how to read like a writer. Each post in Write Your First Novel is a series of short(ish) prompts and exercises which are designed to lead, step by small step, towards the first draft of a novel. It doesn't assume you already know the technical vocabulary that writers use, and the full series to date is collected together here. One more thing before we start. Everything on the Itch is free; I don't monetise it through advertising or clicks or affiliations or anything else, but simply put it out under a Creative Commons Licence (and... Read more →


Notes Made While Reading: books for writers

First things first. If you're busy with a shitty first draft, you will probably not want to get stuck into any of these just now - though some of them are just the right size for a stocking. Hurling a story down any old way that comes, "building up, not tearing down" as the NaNoWriMo website puts it, is usually not helped by an attack of standing-outside-it-ness, of self-consciousness, or a cool new costume for your Inner Critic. But for the rest of us (and NaNo-ers in due course) these are all books that I've read recently which have been... Read more →


As a Mentor and Teacher and Writer and Reader, there's something I want to say to you

Floating around on the net is this excellent post by Bruinhilda, As a Library Worker There's Something I Want to Say to You. It was originally posted on Tumblr and, as with the original Jerusha Cowless, Agony Aunt column, and "Everything About My Writing is Awful and No, I'm Not OK", I found my mind riffing off it, to create a version for writers. So here goes, with huge thanks to Bruinhilda for the inspiration: As a mentor and teacher and writer and reader, there's something I want to say to you: You do not have to apologise for the... Read more →


News: This is Not a Book About Charles Darwin

STOP PRESS: 12th February 2019. This is Not a Book About Charles Darwin has been published! I celebrated it at a Darwin Day event, and since then I've been interviewed by Mariella Frostrup for BBC Radio 4's Open Book programme, as well as blogs and websites. The Literary Review said this: She is unsparingly honest about her battles with self-doubt, her struggle to establish a separate identity as a writer, the difficulties of earning a living and the sheer hard graft of writing. Many biographies have been written about Charles Darwin, and while this thoroughly researched book may shed some... Read more →


Basing Your Fiction on Real People? Can "Real" and "Fiction" live in the same book?

At October's Words Away Salon next Monday, the 16th, Kellie and I are delighted to be hosting Jill Dawson. We'll be talking about writing fiction based on real characters - recent or ancient. Jill is a poet and novelist, and a highly-regarded mentor of writers, and her most recent novel is The Crime Writer. That's about Patricia Highsmith, but she's also written The Great Lover, about Rupert Brooke, and Fred and Edie, based on a famous 1920s murder. So we thought she'd be the perfect person to start us off talking about this fascinating but very challenging kind of fiction,... Read more →


Life Writing? Travel Writing? Creative Non-Fiction? What are you writing?

At this year's York Festival of Writing I gave a workshop on literary fiction and creative non-fiction, and one of the topics that came up was: "What is creative non-fiction?" Which is a very good question and (like all the best questions) not quick to answer. Creative non-fiction - which also gets called "Narrative non-fiction" and "Literary non-fiction" - lives in a fascinating liminal area, bounded by fiction and poetry on one side, by journalism on another, and by "proper" history, biography, autobiography, travel-, food-, science- and art-writing on the third. So creative non-fiction is narrative: it is an act... Read more →


Guest Post by Jenn Ashworth: Making the Rules: Physics and Fell

One of the questions I suggest asking your novel is "Who is telling this story?" And the next is, "Where are they standing, relative to the events they're telling?". So I was excited to discover that Jenn Ashworth was building her new novel, Fell, on one of the most interesting - and fruitful - answers to that question that I've yet come across. I was lucky enough, a while back, to have a tiny role in her working-out of the considerable writerly challenges it posed, and when I read the book a few weeks ago I just loved it (its... Read more →


Recommend an historical novel, win a signed copy of Get Started in Writing Historical Fiction

Update: 27th June 2016: The competition is now closed, and I announced the winners in this post. Thank you very much to everyone who entered; it's a fantastic list of recommendations which my bedside table does not thank you for, but I do. I would love this post to become a resource for the future, so do feel free to add more recommendations, and comment on other people's. I'll be back to post my two penn'orth in a few days. *** To celebrate the publication of Get Started in Writing Historical Fiction, which is now also out in the USA,... Read more →


Get Started in Writing Historical Fiction is published on 10th March

I'm ridiculously thrilled to have my author's copies of Get Started in Writing Historical Fiction sitting on my desk. It really does embody all the things I find myself saying when I'm teaching workshops and blogging, not just about historical fiction but writing fiction and creative non-fiction in general. Whether you're new to writing of any kind and have just fallen in love with a person or a period and can't rest till you've had a shot at bringing it to life on paper, or you're an experienced writer who's always loved reading historical fiction but have never dared to... Read more →


Download a chapter FREE from Get Started in Writing Historical Fiction

As you may know, my first non-fiction book, Get Started in Writing Historical Fiction, is due to be published next month as part of the Teach Yourself series. I’m delighted that John Murray Learning have produced a free e-book sampler which contains the whole first chapter. It’s a pdf file, and to download it all you should need to do is click this link: Download GS Hist Fic sampler. It's a .pdf file (click here if you don't have a pdf reader); it will either dowload directly, or display in your browser for you to save to your computer. If... Read more →


The Itch of Writing Bookshelf 6: I Capture The Castle, by Dodie Smith

Click here for the full (or, rather, rapidly filling) Itch of Writing Bookshelf, and if you're looking for books to help with your writing directly, then click through to Books for Writers. I CAPTURE THE CASTLE, by Dodie Smith Cassandra Mortmain is seventeen, and has decided to keep a journal to practice her speedwriting, in the hope of being able to get a job. She, her older sister Rose and schoolboy brother Thomas live in a tumbledown castle in Suffolk, which their writer father moved into in happier times, after the succès d'estime of his Finnegan's-Wake-like novel. Then he succumbed... Read more →


Writing Historical Fiction, Creative Darwins, The Genre Swap and other stories

There seems to have been a lot going on, lately, and if the blog's been a bit quiet, that's why. I'm up to my neck in the last work on Get Started in Writing Historical Fiction. It's due out mid-Autumn and, as ever, even when I've been living with a project for years, I can't quite believe that it is about to become a Real Book, but all the signs are there! And historical fiction's a bit of a theme elsewhere. Also in the autumn, I'll be heading down to Leith Hill Place, the lovely house where Ralph Vaughan Williams... Read more →


Psychic Distance: how terrific writers actually use it

You won't read This Itch of Writing for long without coming across my conviction that Psychic Distance - a.k.a. Narrative Distance - is the most useful way there is of working with point-of-view, voice, the insides of character's heads, the reader's feeling for those characters, the relationship of characters and narrative ... about 75% of your job in writing a novel or life writing piece, in other words. Pyschic Distance week on the current Self-Editing Course has, as ever, lit a galaxy of lightbulbs in the participants, but I've realised we could do with some more examples of how it... Read more →


The Itch of Writing Bookshelf 5: Tinker Tailor Soldier Spy by John le Carré

Click here for the full (or rather, rapidly filling) Itch of Writing Bookshelf, and if you're looking for books to help with your writing directly, then click through to Books for Writers. TINKER TAILOR SOLDIER SPY, by John le Carré 1969, or thereabouts: a damaged man arrives at a run-down West Country prep school, and a minor Secret Service thug, posted as a defector to Soviet Russia, turns up in Ascot with a nightmare of a story about the Secret Service. The only people who are - probably - sufficiently outside the new regime of London Circus to be trusted... Read more →


Showing and Telling: cooperation not competition

First, can we get get a few things straight? Writing is not an exact science. It's not even an exact art. So it's next-to-impossible to say, "Doing X is Telling, doing Y is Showing", because "Telling" and "Showing" are convenient but wildly over-simple labels for effects on the reader which are achieved by a complex of means. Sorry. I prefer to call Telling "Informing" and sometimes "Explaining", and Showing "Evoking". Those are also over-simple, of course, but still, I think they help. Any text worth reading has writing which Tells, as well as writing which Shows. So you can ignore... Read more →


How-To-Write books: Addicted to them? Revolted by them?

A while ago, my writer friend Annie Caulfield and I recorded a podcast for the Royal Literary Fund's new series, Writers Aloud. I was just beginning to try my hand at writing radio plays, and Annie, whose fantastic Writing for Radio I knew before Annie and I met as fellow RLF Fellows at Goldsmiths, was trying her hand at writing novels. We had a lot of fun making the recording (hats off to the producer, Kona McPhee, for disentangling it into something coherent!), and now the RLF has turned what we talked about into three 30 minute podcasts. The first... Read more →


The Itch of Writing Bookshelf 4: Careless People by Sarah Churchwell

Click here for the full (or rather, rapidly filling) Itch of Writing Bookshelf, and if you're looking for books to help with your writing directly, then click through to Books for Writers. CARELESS PEOPLE: Murder, Mayhem and the Invention of The Great Gatsby, by Sarah Churchwell Just as the young, rich(ish) Mid-Western writer Scott Fitzgerald and his wife Zelda were packing for the East in 1922, a very ordinary, young married woman and her lover were discovered in New Jersey, shot through the head. The murder case became a national sensation, and Fitzgerald followed it as he and Zelda settled... Read more →


The Itch of Writing Bookself 3: H is for Hawk by Helen Macdonald

The third in a new series of mini-reviews that focus on what a book I've enjoyed has to offer a writer. Click here for the full (or rather, rapidly filling) Itch of Writing Bookshelf, and if you're looking for books to help with your writing directly, then click through to Books for Writers. H IS FOR HAWK by Helen Macdonald Helen Macdonald was a young academic when her photojournalist father suddenly died. She had flown and worked with birds of prey as a hobby, but now she decided to buy and train a young goshawk: the biggest as well as... Read more →


Dogs and cats aren't just for Christmas: they make great viewpoint characters

A writer friend posted this: Can anyone think of adult books (i.e. not War Horse) where you briefly get an animal's POV? I would love to use my sweet little dog (who has a place in the story) to be the reader's first experience of a crucial, awful place, before anyone else's. I want to get his keen senses in there - to show the place through a creature who is in one way acutely perceptive - but I wonder what level of language I can get away with. For example, could I describe a smell as metallic, or is... Read more →


The Itch of Writing Bookshelf 2: The Anatomy of Ghosts by Andrew Taylor

The second in a new series of mini-reviews that focus on what a book I've enjoyed has to offer a writer. Click here for the full (or rather, rapidly filling) Itch of Writing Bookshelf, and if you're looking for books to help with your writing directly, then click through to Books for Writers. THE ANATOMY OF GHOSTS by Andrew Taylor It's the late eighteenth century, and bookseller John Holdsworth has fallen on sad, hard times, with bankrupcty, the death of his child and the suicide of his wife, both by drowning. To help the crazed son of a possible patron... Read more →