Theatre & Drama

David Mamet's ideas on acting make sense for writers too

I've blogged before about how useful it can be for prose and fiction writers to think in terms of theatre and drama, and again at The History Girls about why my own Drama degree has been so useful to me. So when I came across this post, on actor James Devereaux's Great Acting Blog, I couldn't help hearing it as a way of thinking about writing. James has collected some of playwright and director's David Mamet's most thought-provoking and important ideas, and I hope he won't mind if I borrow them. Learn to ask: what does the character in the... Read more →


The only "rules" of writing are your rules. But you need to decide what they are.

There are lots of ways in which learning to write is like learning to drive, but the relationship of the craft to the rules and laws is not one of them. Whether it's that you should Show and Tell, or that "cut everything which includes was" is not only wrong but dangerous, I don't believe you should "know the rules before you can break them", because there are no rules (except copyright and libel, obviously), only tools, in writing. I've been talking a lot recently about writing historical fiction, and inevitably we discuss how you decide what you must research... Read more →


Writing Historical Fiction, Creative Darwins, The Genre Swap and other stories

There seems to have been a lot going on, lately, and if the blog's been a bit quiet, that's why. I'm up to my neck in the last work on Get Started in Writing Historical Fiction. It's due out mid-Autumn and, as ever, even when I've been living with a project for years, I can't quite believe that it is about to become a Real Book, but all the signs are there! And historical fiction's a bit of a theme elsewhere. Also in the autumn, I'll be heading down to Leith Hill Place, the lovely house where Ralph Vaughan Williams... Read more →