This Itch of Writing

This Itch of Writing is Moving to Substack: a new chapter

It's a Moment: the Itch is moving house to the blogging platform and community Substack. But don't panic! All the material that is currently here on Typepad will still be available to anyone who cares to drop by: the Tool-kit, the huge archive of posts, and the comment trails will be delighted to see you. What is changing is that this is the last new post here. Read more →

Itchy Bitesized 24: Five Thoughts About Thinking in Acts

We are in the business of story-telling. I only understood why thinking in acts is so useful to a writer when I encountered John Yorke's Into the Woods: a TV series, like a novel, is a multi-sitting experience. You need a lot more story-material than a film does and, crucially, you don't just have to keep your audience once, you have to keep bringing them back. Read more →

Three Things About "It's Tough Out There"

It's tough out there, we all tell each other, trying to get books published, trying to get them bought, trying to keep them published. And since the background of publishers and published writers doesn't align with national demographics, that disparity can constitute a huge barrier to entry for those whose faces don't fit. But if you are developing your own creative processes for good and successful writing, then letting yourself dwell on tough facts may be actively unhelpful. Read more →

Itchy Bitesized 23: Six Thoughts About Choosing Your Book's Title

A plea by novelist Lisa Medved on Twitter, asking for tips for choosing titles, has got me thinking about what makes a good title, and how you go about finding one. So far I've had very positive responses to the titles of my books (though one kind reader emailed because they were worried that I'd made a big mistake in titling a book with what it isn't). Read more →

Itchy Bitesized 22: Five Steps For Working With Feedback

Feedback is a fact of life for every writer; it's also an essential part of our training and professional development. There's no point in trying to communicate if you don't have a sense of the who/what/why of the receiver. This post is a quick aide-memoire for ways to make the most of feedback at any stage of working on a story. Read more →

New Events To Kick-Start Your Writing in the New Year

If you're hoping to work on your writing in the New Year - whether it's a specific project or a more general feeling that you need more tools, skills and inspiration - then let me help you kick-start your creative development, with my latest courses and workshops. Read more →

Itchy Bitesized 19: How Not To Commit Writerly Adultery

One of the most common difficulties that writers bring to our mentoring meetings is that they find it hard to see a project through to completion, so here are some quick diagnostic pointers which should help you to keep going - or give you confidence that you really shouldn't. Read more →

Itchy Bitesized 18: Three Things About Chapters Breaks

This new blog in the Itchy Bitesized series is about how to make best use of chapter-breaks. I know writers who work in chapters right from the start; writers who just intuit when it's time for a break; writers write several drafts before they decide where the breaks go. A chapter-break affects the reader's experience. Read more →

Itchy Bitesized 17: Writing Course or Festival Finished? What Now?

Every author I know has their story of a turning-point moment, but when writers have finished a terrific course, or reeled home from the overload of a big festival stuffed with agents and editors, they can be full of the buzz and the new energy to get going, and still feel overwhelmed. This Itchy Bitesized post is about what to do next. Read more →

Itchy Bitesized 16: Three Things About Saggy Middles

If you've been told your novel or creative non-fiction has a saggy middle - or you've a nasty suspicion of your own - you are absolutely not alone. It's a perennial problem, because writing a novel may simply be a matter of "beginning, muddle and end", as you discover every time you download an unabridged audiobook of a full-sized novel, novels are very long, and so the middle muddle is also very long. Read more →

Itchy Bitesized 15: Three Things About Point-of-View

Point-of-view is one of the chief tools you have for controlling your reader's experience of the story, and their reaction to it. So I have blogged about it a good deal, mostly in the four posts in the Point-of-View and Narrators series. This Bitesized series post is a quick check-in with a few of the questions which crop up most often. 1) Readers don't only get involved with the viewpoint characters and no one else. Think about it: there's no equivalent of point-of-view in films and plays - everyone is seen from the outside - any more than there is... Read more →

Itchy Bitesized 13: Artist's Dates Don't Have to be About Art

It was Julia Cameron who started the idea of the "Artist Date",* in her book The Artist's Way. The idea is that any creative work draws on a well - or a larder is a more useful image, I think - and if you don't want to run out of creative food and therefore fuel, you have to fill the larder and keep refilling it. But how do you fill it? Read more →

Itchy Bitesized 10: Ten Reasons to Read Your Work Aloud

You know there are no rules for which words get on the page, nor for how you should set about putting them there. But there are tools - and one of the sharpest and most universal is reading your work aloud. What's more, it applies to any kind of writing, from poetry and fiction to your doctoral thesis. I'm not talking here about preparing reading for events or reading at events, but about reading aloud, to yourself, as part of the editing process. Here are some reasons why it's such a good tool, and some things to help you wield it. Read more →

Itchy Bitesized 9: Three Things About Filtering (a.k.a. HD for your writing)

Writers very often use phrases which get between the reader and a straightforward representation and evocation of what's happening, without adding anything else to the experience. Getting rid of filtering is one of the simplest ways to make your writing more vivid and engaging, and I've blogged more fully about it, so this is just a quick look at the issues that most often arise when I'm teaching how to wrangle it. Read more →

Itchy Bitesized 8: Six Things About Second Novel Syndrome

Not only is Being Published distinctly weird, now you've got to write another book. Maybe it's under contract, or maybe it's just that everyone's expecting you to write another. So why is it being so difficult? Read more →

Itchy Bitesized 7: What You Need To Know About Comma Splices

Comma splices are probably the punctuation mistake I see most often, and it's frequently in writing by people who otherwise know why punctuation matters, and use it very well. But what is a comma splice, why do they matter, and what do you do about them? Read more →

Itchy Bitesized 6: Which Viewpoint Character Should You Be Using?

Even when you've got your head round how point-of-view and narrators work, you're left with the question of which of the available characters should be the viewpoint character for this page, this scene, this chapter or this novel. This post explores the possibilities. Read more →

Itchy Bitesized 5: Sixteen Things You Need to Become a Writer (and twelve things you don't)

When I meet someone who says they'd love to be a writer but they've never studied Creative Writing, or they can't spell, or they always got bad marks in English at school, I say, with truth, that you don't need any of those things. So, first, let's be clear: Read more →

Itchy Bitesized 4: Three Things About Writing Synopses

The problem with synopses is simple: if you could have written your story in 300-500 words, you would have, but you couldn't, so boiling your 70-130,000 words down feels as impossible (with apologies for mixing my metaphors) as catching a waterfall in a cup. But it can be done – and it can, actually, become a really useful tool in your tool-kit. Read more →

Itchy Bitesized 3: Ten Unapologetic Ways to Ask to be Paid

From festival appearances to funeral poems, writers get asked to work unpaid all the time. Taking ourselves more seriously as paid professionals means learning to ask for money without apology or embarrassment from events organisers, broadcasters, schools, magazines, alumni organisations and anyone else. Read more →